The Danish Quartet’s playing reflects impeccable musicianship, sophisticated artistry, exquisite clarity of ensemble, and, above all, an expressivity inextricably bound to the music, from Haydn to Shostakovich to contemporary scores. Their performances bring a rare musical spontaneity, giving audiences the sense of hearing even treasured canon repertoire as if for the first time, and exuding a palpable joy in music-making that have made them enormously in-demand on concert stages throughout the world.

"They bring a freshness and energy plus a level of sheer accomplishment that I don't ever remember hearing in these works." Gramophone

Since its debut in 2002, the Danish String Quartet has demonstrated a special affinity for Scandinavian composers, from Nielsen to Hans Abrahamsen, alongside music of Mozart and Beethoven. The Quartet’s musical interests also encompass Nordic folk music, the focus of its newest recording, Last Leaf, on the ECM label. The recipient of many awards and prestigious appointments, including the Borletti Buitoni Trust, the Danish String Quartet was named in 2013 as BBC Radio 3 New Generation Artists and appointed to the Chamber Music Society of Lincoln Center’s CMS Two Program.

The 2018-19 season takes them London’s Wigmore Hall and Norway’s Trondheim Festival to New York’s 92nd Street Y and the La Jolla Festival.  The group takes an active role in reaching new audiences through special projects. In 2007, they established the DSQ Festival, now in its 11th year, which takes place in an intimate and informal setting in Copenhagen. This October, the Danish String Quartet performs, over the course of six concerts, the complete Beethoven cycle of 16 string quartets. In 2016, they inaugurated a new music festival, Series of Four, which they both perform and invite colleagues to appear at the venerable Danish Radio Concert Hall. Concerts this season range from a chamber version of the Fauré Requiem, a recital with violinist Augustin Hadelich, and the Scandinavian debut of the Vision String Quartet.

The Danish String Quartet has received numerous citations and prizes, including First Prize in the Vagn Homboe String Quartet Competition and the Charles Hennen International Chamber Music Competition in the Netherlands, as well as the Audience Prize at the Trondheim International String Quartet Competition in 2005. In 2009, the Danish String Quartet won First Prize in the 11th London International String Quartet Competition, now known as the Wigmore Hall International String Quartet competition. The Quartet was the awarded the 2010 NORDMETALL-Ensemble Prize at the Mecklenburg-Vorpommern Festival, and in 2011, they received the Carl Nielsen Prize, the highest cultural honor in Denmark.

Named Artist-in-Residence in 2006 by the Danish Radio, the Quartet was offered the opportunity to record the Nielsen string quartets at the Danish Radio Concert Hall. The two CDs, released in 2007 and 2008 on the Dacapo label, garnered enthusiastic praise for their first recordings—“these Danish players have excelled in performances of works by Brahms, Mozart and Bartók in recent years. But they play Nielsen’s quartets as if they owned them,” noted the New York Times. In 2012, the Danish String Quartet released a recording of Haydn and Brahms quartets on the German AVI-music label, for which they also received critical notice. Subsequently, they recorded works by Brahms and Robert Fuchs with clarinetist Sebastian Manz, released by AVI-music in 2014; Wood Works, an album of traditional Scandinavian folk music, released by Dacapo in 2017 and one of the top classical albums of the year, including on Spotify; and music of Thomas Adès, Per Nøgård, and Abrahamsen, the Quartet’s debut album on ECM.

Violinists Frederik Øland and Rune Tonsgaard Sørenson and violist Asbjorn Norgaard met as children at a music summer camp where they played soccer and made music together. As teenagers, they began the study of classical chamber music and were mentored by Tim Frederiksen of Copenhagen’s Royal Danish Academy of Music. In 2008, the three Danes were joined by Norwegian cellist Fredrik Schøyen Sjölin.

PROGRAM

HAYDN: String Quartet in C major, Op. 20, No.2
ABRAHAMSEN: Quartet no. 1 “Ten Preludes”
BEETHOVEN: String Quartet No. 7 in F major, Op. 59, No.1 (First Razumovsky)

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